Wednesday 9 December 2009

They don't expect little grrrls to shout...


A while ago, I started drawing bands or artists I like, sometimes trying to include song lyrics. As a start, here's Gustav, who made my personal album of the year 2008. According to her Myspace site she's currently working on an ambient album with the title "Hallo Knallo!". Other pics will follow soon.

Sunday 8 November 2009

River's edge, you're all that I have

... back from the seaside - back in the city that pretends to be a seaside town though it isn't. It's got several rivers though, which leads me on to an illustration I made earlier this year, inspired by a song by my beloved Great Lake Swimmers:

Friday 6 November 2009

Monday 26 October 2009

When I grow up I want to live near the sea










(all photos taken in Aberystwyth, Wales, October 2009)

Tuesday 15 September 2009

Shut up, I'm dreaming of places

Lazy summer's over... lots of new music and films to write about, lots of new photos and illustrations to upload. For a start, here's some impressions from Prague, where I spent a couple of days drinking a lot of good coffee and beer and taking about 300 pictures of beautiful old buildings (and other stuff). So here we go.



Tuesday 16 June 2009

A thousand crystal towers, a hundred emerald cities


Listening to the new Bat for Lashes album "Two Suns"... time to post this picture I drew a little while ago.

Tuesday 9 June 2009

Monday 25 May 2009

If I could face the music


As I've said before... this year there is SO MUCH new music to listen to, so many great albums out and many more to come. Before I forget half of it, I use this place for some middle-of-the-year listomania and collect all the faves and some stuff I should keep in mind for the next visit to the record shop...

favourite albums of the year so far:

* Animal Collective - Merriweather Post Pavillion
* Kevin Blechdom - Gentlemania
* Junior Boys - Begone Dull Care
* Great Lake Swimmers - Lost Channels
* AGF / Delay - Symptoms
* PJ Harvey & John Parish - A Woman A Man Walked By

albums I still have to get:

* Lady Sovereign - Jigsaw
* Fever Ray - Fever Ray
* Bat for Lashes - Two Suns
* Peaches - I Feel Cream
* Chicks on Speed - Cutting the Edge
* Soap & Skin - Lovetune for Vacuum

coming releases I'm looking forward to:

* Dirty Projectors - Bitte Orca
* Lord Cut-Glass - Lord Cut-Glass
* Gossip - Music for Men
* The Left Outsides - ? (don't know the title yet)

Tuesday 12 May 2009

This is the place where I felt...

"This is the place where I felt
like the world's tallest self-supporting tower

at least for a little while anyway"

(Great Lake Swimmers - 'Concrete Heart', 2009)


At about the same time last year, I listened to the Great Lake Swimmers' debut album a lot. It was a time dominated by two completely different states of mind: a deep enthusiasm for my work in a cinema and an equally deep frustration with life in Halle, where I was still living at the time. I was heavily flirting with Leipzig already, going there for concerts quite often and putting a lot of future hopes in the city. It is exactly these two emotions that come up to me again when I listen to the Great Lake Swimmers now. "Moving Pictures Silent Films" is the song I strongly relate to my cinematic obsession. I picture myself alone in the dark, bringing pictures to life and enjoying every minute of it. At the same time, I see myself listening to the album late at night, longing for a new city, new people, a place where I could find all that I missed in Halle, a place where maybe I had just lived for too long...

Yesterday the Great Lake Swimmers came to Leipzig, even better: to the place that happens to be my new cinema (but also a brilliant location for live concerts). So in a way, it all made sense: the music, the place, the atmosphere - it was like pieces of a puzzle coming together. The location was perfect for the sound of the band: a bit more powerful and dynamic in a live context without losing the spheric brilliance the songs have on the records. In fact, I was a bit afraid before the show that exactly this might happen. With a classic folk rock instrumentation (guitar, upright bass, banjo, piano and drums), there often is a certain risk of sounding too much like a traditional rock band when playing live. The very same thing happened to the support band Phosphorescent, who sounded a bit too conventional in a folk-rock-country sense for my taste. And it is certainly not riffs or folk rock clichées that I expect of the Great Lake Swimmers. What I love them for, and what I think is so special about them is their mellow, restrained but still intense sound - a spirit that is hard to preserve at a concert, where most people expect to rock. Luckily, the band did'n fall into that classical live trap. This was especially apparent when directly compared to their support band. Even though the songs sounded more straightforward than on record, this didn't destroy their atmosphere. Those low-key moments, the quiet, intensity, everything I like about this band was still there.

The songs from the new album "Lost Channels" made up the largest part of the set. My highlights: the simple but gorgeous "Still", with an extremely catchy melody and beautiful lyrics that precisely express my own attitude to life, and singer Tony Dekker's solo performance of "Concrete Heart" (a song he was commissioned to write for a project about Toronto architecture, as he told us), a gorgeous quiet song that confirmed what I've always thought: cities can be highly inspiring. Perhaps not surprisingly in this location, my personal wish was also fulfilled. When I listened to the band playing "Moving Pictures Silent Films" live in 'my' cinema, it was definitely a special, beautifully intense moment for me.

Also worth mentioning is Sharon van Etten, a very interesting Brooklyn songwriter who played as the first support act of the evening. I hadn't heard of her before, but her impressive live set (just her alone on electric guitar and singing) awakened my curiosity. I'm looking forward to hearing more of her in the future. All in all, I'm glad that last night I didn't only see a band that has meant a lot to me for a while, but discovered an excellent new musician as well.

P.S.: Thanks to Woodblock for the photo.

Monday 4 May 2009

There is a city by the sea

... ein paar Gedanken zu Leipzigs 'nautischem Komplex'...


Leipzig liegt am Meer. Besser: Leipzig liegt zwar inmitten riesiger Landmassen, ist aber doch eine Küstenstadt. Alles Quatsch? Mag sein, aber man wird ja wohl noch träumen dürfen. So in etwa scheinen die Leipziger zu denken, während sie ihre Stadt mit nautischen Referenzen bestücken. Gleich beim Verlassen des Hauptbahnhofes geht es los: Seaside Park Hotel verkünden die Buchstaben auf dem Dach eines Hotels. Klar, hört sich einfach besser an als "Hotel am Bahnhof", was näher an der Realität dran gewesen wäre. Weiter im Süden, in der Karl-Liebknecht-Straße, ist das Hotel Seeblick. Allerdings ist es mitnichten ein Hotel, sondern eine angesagte Bar, und statt auf die See blickt man auf eine verkehrsreiche urbane Hauptstraße und lebendige Kneipenmeile. Noch ein Stück weiter südlich, am Connewitzer Kreuz, gab es mal einen Plattenladen namens Seemannsglück. Eine andere Kneipe schmückt sich mit dem Namen Anker, das hiesige Stadtmagazin wiederum heißt Kreuzer und vergibt in seinen Musikrezensionen Schiffchen statt der sonst üblichen Sterne. "Guck mal: die neue Morrissey hat 4 Schiffchen bekommen." Ein Satz, der kauzig anmutet, in Leipziger Gesprächen aber durchaus zu hören sein wird.

Richtig nautisch wird es im ehemaligen Industrieviertel Plagwitz. Kein Wunder, denn hier findet man tatsächlich viel Wasser: Elster und Luppe fließen an Plagwitz vorbei, und mitten durch das Viertel verläuft der Karl-Heine-Kanal, der an einigen Stellen fast schon für venezianisches Flair sorgt. Es war also nur eine Frage der Zeit, bis auch hier eine passende Kneipe eröffnete: das Kap West - allein der Name lässt tief blicken. Das Haus selbst erinnert, wenn man die Phantasie ins Rollen bringt, an den Bug eines Schiffs, und die kurz nach der Eröffnung kursierenden Flyer waren so gestaltet, dass einem schon beim Anschauen eine Brise frischer Seeluft um die Nase wehte. Das bekannteste Kiez-Original ist der fast schon legendäre Plagwitzer Seemann: in Matrosenkluft gewandet, die Kapitänsmütze stets auf dem Kopf und mit Megaphon in der Hand, spaziert er durch Plagwitz, während aus seinem Ghettoblaster Seemannsweisen erklingen. Mein Personengedächtnis mag mir hier einen Streich spielen, aber ich habe den Verdacht, dass sogar zwei verschiedene Seemänner im Viertel ihre Runden drehen, einer mit Vollbart, einer mit Schnauzer. Die These muss aber noch hieb- und stichfest bewiesen werden. Aber egal ob ein Kapitän oder zwei, Hafenflair kommt auf, keine Frage.

Leipzig scheint eine Art nautischen Komplex zu haben, der nicht nur mit den riesigen Seen südlich der Stadt zu tun hat, sondern auch mit dem alten unerfüllten Traum einer schiffbaren Verbindung zwischen Elster und Saale, und damit indirekt zur Elbe und schließlich zur Nordsee. Dass der heutige Karl-Heine-Kanal nie fertig wurde (ein kleines Stück fehlt bis zur Saale), hindert die Leipziger indes nicht daran, den alten Traum ("von der Elster bis zur Alster") leise, und manchmal auch etwas lauter, weiterzuträumen. (Gelegentlich verkünden Lokalblättchen Pläne, das letzte Stück des Kanals noch zu vollenden.) Die Sehnsucht zum Meer ist jedenfalls immer noch präsent in Leipzig. Teilweise sogar so sehr, dass man sich hin und wieder fühlt, als wäre man tatsächlich an der Küste. Genau das mag ich an dieser Stadt: dass sie nicht alle Sehnsüchte erfüllt, es aber schafft, immer wieder an ihnen zu kitzeln.

Tuesday 28 April 2009

Sunday 26 April 2009

Before we think too much and can't give back what we've taken...


I bought a new sketchbook a few weeks ago with the good intention to draw at least one picture each week. The first ones were inspired by Vera Chytilová's "Sedmikrásky":




I'm planning to make more of those imaginary film posters because I quite like the idea of it. Today it was time for musicians again and I started a picture of Bat for Lashes - to be seen here soon.

Other than that, last night at the Skala was awesome. I'm listening to Kevin Blechdom's new album "Gentlemania" right now, which I bought after the concert. Once again, I get the feeling that 2009 is a brilliant year for music.

Saturday 25 April 2009

The news is they're coming...

(heute mal auf Deutsch: ein kleines bißchen lokal orientierter Veranstaltungs-Spam)

Mehrere hochkarätige Konzerte bahnen sich an in Leipzig, drum werde ich meine Vorfreude an dieser Stelle einfach mal bündeln. Heute abend geht's los mit Mrs. Pepsteins Jubiläumsgala in der Skala. Mrs. P. feiert 10jähriges Jubiläum ihrer Radiosendung und hat dafür ein äußerst feines Lineup zusammengestellt: Kevin Blechdom und Britta werden live spielen, anschließend darf bei den DJ-Sets von Frau Müller und Mrs. P. höchstpersönlich getanzt werden.

Nächste Woche ist mal wieder das Centraltheater dran, wo am Mittwoch Coco Rosie spielen. Leider schon ausverkauft und ich muss selbst noch um Karten zittern, gebe aber die Hoffnung (noch) nicht auf... Keine Sorgen muss ich mir dagegen bei den Great Lake Swimmers machen, denn die kommen am 11. Mai in mein erweitertes Wohnzimmer. Quasi. Ein Traum! Nicht nur, weil der Sound der Band so wunderbar zur Atmosphäre des schönen alten Saals im UT passt, sondern auch, weil die Great Lake Swimmers mit "Moving Pictures Silent Films" auch meinen ganz persönlichen Lieblingssong mit Kinobezug geschrieben haben (durch den ich die Band überhaupt erst so richtig entdeckte). Ohne diesen Song werde ich sie wohl auch nicht von der Bühne lassen, denn wo könnte der besser passen als in einem alten Kino?

Im UT geht es dann auch gleich weiter mit den Legends. Die Schweden werden am 15. Mai im Rahmen der (Pop Up-Messe Leipzig beehren, die ohnehin ein Pflichttermin hiesiger Musikfreaks ist. Neugierig bin ich auch auf die Podiumsdiskussion zum Centraltheater als Popkonzertveranstalter (worüber in der "Szene" gerade heftig diskutiert wird) und natürlich die Messe selbst. Diesmal zwar nicht mehr im Werk II (was eigentlich bestens geeignet war als Location für die Messe), sondern im Volkspalast, ein wenig ab vom Schuss. Aber ich will ja nicht allzu stadtteilfaul werden und verkneife mir die Skepsis, bis ich die neue Location mit eigenen Augen gesehen habe...

Und obwohl man sich bei so einem Programm fast nicht traut, die Stadt zu verlassen, geht auch noch einiges jenseits von Leipzig: nächstes Wochenende gucke ich mir die Sonic-Youth-Ausstellung in Düsseldorf an und am 22. Mai kommen die Junior Boys nach Berlin. Letztere bringen demnächst auch ihr neues Album raus, ebenso Bat for Lashes. Nochmal Vorfreude!

Tuesday 14 April 2009

Pease pudding hot, pease pudding cold...


...pease pudding in the pot, 40 years old.

Friday 20 March 2009

Broken glass is luxury...


Last night, I watched Vera Chytilová's "Sedmikrásky". I've heard so much about this film before, knowing that this is a classic of the Czech nouvelle vague, and I've been wanting to see it for ages, but it is extremely rare and hard to get hold of, unless you understand the Czech language (an original DVD without subtitels is easily available in the Czech Republic). In fact, it is much easier here to get a 35mm film copy than a DVD, and I'm proud of the cinema I work at, the UT Connewitz, for taking the chance and showing this extremely rare classic. (The bizarre experience of trying to be a normal guest in a cinema I know only too well - including all the little technical problems that can occur in a very old film theatre with very old technical equipment - was also highly interesting. But this is another story worth an entry of its own!)

As for Chytilová's film, I had high expectations, and as I love a couple of films of the French nouvelle vague, I imagined this one as something like a Czech version of Rivette's masterpiece "Celine et Julie vont en bateau" - two girls who need no one but each other and their own imagination to have a whole lot of fun. And yes, indeed, this comparison is quite fitting, though the two protagonists in "Sedmikrásky" even push things a bit further. One could describe it as "Celine and Julie have a real binge", or something like that. The two girls - both named Marie - recognise that the whole world is spoiled and therefore decide to become spoiled as well. They start to live a life in excessive hedonism, they play their games with other people (mainly guys), eat a lot and just have fun, no matter what the consequences are. And it is definitely fun to watch that, though there is a lot more to it: the hedonist surface does reveal a subversive message (the film was forbidden for a year or so under the communist government). At the time of its release, it was unusual enough that girls amused themselves as if it was the most natural thing in the world. Today, this might appear quite normal, but in the pre-sexual-revolution 1960s and under a totalitarian regime, this was a statement in itself. Apart from this, the matter-of-factness in the girls' behaviour of exceeding all boundaries, still bears a subversive, anarchist touch, even in our modern times. Everything is possible - that's probably what Chytilová wants to show us, and in these terms, the film is highly encouraging.


There is much more to discover in the dialogues. For example, when the two Maries go to a little village where the locals don't pay any attention to them, they begin to wonder if they really exist at all, before they discover the mess of leaves and other things they've spread all along the river shores and come to the conclusion that they MUST exist - a conclusion that leads them to an outburst of euphoria. Once can interpret dialogues like that in many ways, including the position of women in society in general: being constantly overlooked or ignored. This, to name just one example... Another thing I definitely have to mention is the visual appeal of this movie. The style is very experimental, with changes in colour, unusual compositions of objects in the picture, fast cuts and the like. A couple of times I asked myself: was this really filmed in 1966? Sometimes it looked a lot like experimental films or video clips from our days, so one could say, Chytilová clearly was ahead of her times aesthetically, having used some techniques long before they were common. I think I still have to reflect over some things for a bit longer, and possibly watch the film again as there are so many little details to discover...